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USA

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Publishing

CyberScribe

Zills
on Fire CD

Mastering
Belly Dance
Rhythms DVD

I Was a Horse
in a Former Life

Using Equine Science
to Improve Your Art


by Lily Splane

DILUTION: GRAY (G_)  256

Steel Gray  256

Medium Gray  257

Dapple Gray  258

Light Gray  259

White Gray  260

Mulberry Gray  261

Rose Gray  262

Fleabitten Gray  263

Bloodmark Gray  264

DILUTION: WHITE (W_)  265

Dominant White  265

DILUTION: SILVER (Z_)  266

Classic Silver Dapple Black  266

Chocolate Silver Dapple  267

Silver or Taffy Bay  268

Classic Silver Dapple Grulla  269

Silver Buckskin  270

Silver Cream Smoky Black  271

Silver Gray  272

Sooty Silver Gray  273

PATTERN: PINTO (To_, Oo, Spl_, Sb_)  274

Black Tobiano Pinto  274

Bay Tobiano Pinto  275

Chestnut Tobiano Pinto  276

Palomino (“Blonde”) Tobiano Pinto 277

Brown Dun Tobiano Pinto  278

Dappled Gray Tobiano Pinto  279

Tri-Colored Tobiano Pinto  280

Medicine Hat Pinto  281

Moroccan Pinto  282

Black Overo Pinto  283

Bay Overo Pinto  284

Dappled Dun Overo Pinto  285

Buckskin Overo Pinto  286

Splash Black Overo Pinto  287

Splash Bay Overo Pinto  288

Tovero Pinto  289

Bay Sabino Pinto  290

Blue “Roan” Sabino Pinto  291

PATTERN: APPALOOSA (LP_)  292

Leopard Appaloosa  292

Appaloosa with Spotted Rump Blanket    293

Blanketed Appaloosa  294

Frosted Appaloosa  295

Snowflake Appaloosa  296

Varnish Appaloosa  297

Pintaloosa  298

Blue Roan Pintaloosa  299

Dun Pintaloosa  300

OTHER COLORS  301

Rabicano  301

Mushroom  302

Brindle  303

Reverse Brindle  304

Reverse Dapples, Reticulation, Giraffe    Marks, or Lacing  305

Chubari Spots  306

Ben d’Or Spots  307

Mosaic  308

White Markings  309

Face Markings  310

Leg Markings  313

Coat Colors: The Delight Is In the Details 315

Dun Factors  316

Coat Colors of the Horse World  319

CHART 1 COAT COLOR    SWATCHES—Modifiers &    Dilutions  320

CHART 2 COAT COLOR    SWATCHES—Dilutions  322

CHART 3 COAT COLOR SWATCHES—Patterns  324

Chapter 7: The (Delta) Quotient—Biomechanics  326

Dynamics of Movement  326

The Forelimbs  326

Flexion  326

Extension  329

Adduction  330

Abduction  330

Temporary Misalignment of the Joints    331

The Hind Limbs  331

Flexion  331

Extension  332

Adduction  332

Neck and Head  332

Elevation of the Head on the Neck    332

Depression of the Head on the Neck    332

Lateral Rotation of the Head on the    Neck  333

Gaits  334

Table of Gaits  335

The Individual Gaits Illustrated  337

Gait Sequence—Walk  343

Gait Sequence—Canter or Lope  344

Gait Sequence—Gallop  345

Other Positions and Activities  346

Interesting Head Positions  347

Frontal Perspective Positions  349

Rear Perspective Positions  350

Jumping  351

Cow-Cutting Action  353

Sudden Stops  354

Chapter 8: Emotion, Expression, and Kinesics (Body     Language)  355

Facial Expressions  355

Muscles of the Head Involved in Expression    356

Facial Expressions and Kinesics Illustrated    360

Stallion-Specific Behavior  371

Kinesics (Body Language) Explored Further  375

Depicting Herd Dynamics in Your Art  375

Tail Carriage  376

The Many Positions of a Horse Living Its Life    379

Grazing  385

Nursing  385

Scratching an Itch  385

Chapter 9: Let’s Get Started  386

Freestyle Drawing  386

Statistical Ratios Method  386

Head-Unit Method  388

Circle/Oval Method  388

Shading and Shaping  390

Creating Texture  391

A Special Note About Spheres (or any    rounded shape)  391

Creating Hair  391

Drawing or Painting a Smooth Coat    391

Drawing or Painting a Furry Coat    395

Drawing or Painting the Mane and Tail    397

Creating Horn—Hooves and Chestnuts  398

Tracing an Image  399

Methods of Image Transfer and Resizing  399

Pouncing (stipple-wheel and powder)    399

Camera Obscura  399

Camera Lucida  400

Line-of-Sight Technique  400

Pantograph  400

Grid Transfer  401

Window Tracing  402

Carbon Paper  402

Light-Box or Light-Pad Tracing  402

Page 3     Table of Contents, continued…

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